-Works for Musical Instruments -Works for Non-Musical Instruments -Works for Non-Performance -Visual works -Discography R e c e n t A c t i v i t i e s : Scalar for indeterminate instrumentation ELISION Ensemble: Kathryn Schulmeister (contrabass) and Rohan Dasika (contrabass), Melbourne Recital Cenre, 9 September 2023. Other proportions: rough path by extinction (virgula ligatura) for saxophone and piano ELISION Ensemble: Alex Waite (piano) and Joshua Hyde (saxophone), 11 February 2023, International Contemporary Music Festival, Leeds University: Grapher morphogenetics IIa for string instrument, 2 March 2022, Phipps Hall, University of Huddersfield. Dejana Sekulic (violin). analogues/dialogues for bass clarinet and bassoon, 4 January 2022, BKA Theater, Unerhörte musik, Berlin. Ingólfur Vilhjálmsson and James Aylward. SCENE #21 from Scenes you would like to hear for two performers, 16 January 2020, Mengi, Reykjavik. Memory is a three-way road for memory, exhibited in the Phonemes - Exhibiting Music exhibition catalogue, 26 January - 3 March 2019, Hafnarborg. stilla #1 for Berglind María Tómasdóttir (flute) and Tinna Þorsteinsdóttir (piano), 10 Janúary 2019, Nordic House, Reykjavik Countability - part 1: 0-221 (quantity = quality) for any kind and amount of instruments, 2 June 2018, Mengi, Reykjavik Urban/Nonurban distancing for two performers, COW concert series, April 27, 2018, Mengi, Reykjavik, Iceland Tendencies for ensemble, Phace ensemble, March 22, 2018, Konserthaus, Wien Pencil Piece I // Eraser Piece II Performance of both pieces simultaneously on the COW concert series, March 7, 2018, Mengi, Reykjavik, Iceland Music for Political Spaces (partial #2, osmosis) for flute and video premiere: Berglind María Tómasdóttir, January 27, 2018, Dark Music Days, Húrra, Iceland Music for Political Spaces (partial #1, osmosis) for flute and video premiere: Berglind María Tómasdóttir, Novermber 3, 2017, Lækjargata 12 (now demolished), Reykjavik, Iceland Desiring-Machines. partial-object 0.0833 for trombone & cello premiere: Two New Duo, January 18, 2017, Drückereihalle im Ackermannshof, Basel, Switzerland foldings/inclusions for (contra-)bass-clarinet premiere: Ingólfur Vilhjálmsson, April 24, 2016, Hljóðön, Hafnarborg, Iceland Schumann-Sculpture (remnants + deracination) Installation commissioned by Cycle Music and Arts Festival 2015, 13 Aug-13 Oct, Kópavogur, Iceland. Part of the New Release exhibition, Gerðarberg, August 13 - October 13, 2015. (images) Theory-Fiction I: non-corresponding variance for three toy pianos and imaginary accompanyment (one player) premiere: Tinna Þorsteinsdóttir, 1 February 2015, Dark Music Days 2015 Desiring-Machines: partial-object 0.0417 for any flute Zuflucht Festival, Kristjana Helgadóttir (piccolo), 19 October 2014, --- Converging the measure on a non-scalable surface for any kind of event 47 hour performance during the Orpheus Reserach Festival 2014 (1-3 Oct), Ghent, Belgium --- Re-Notations I-IV exhibited as part of the PIANO show on Reykjavik Art Festival 2014 May 29-June 30 --- Negative Dynamics II: entangled strata for a pianist premiere: Tinna Þorsteinsdóttir, 31 May 2014, National Gallery of Iceland, Reykjavík --- Desiring-Machines: partial-object 0.1667 for oboe, violin, viola, cello premiere and CD release: Stolz Quartet, 26 February 2014, Splendor, Amsterdam --- Pencil Piece I: Music is What Music Doesn't for minimum one graphite pencil premiere: Vanessa Tomlinson, 17 December 2013, Orpheus Institute, Ghent, Belgium --- Desiring-Machines: partial-object 0.0417 for any flute premiere: Kristjana Helgadóttir, 29 October 2013, Nordic House, Reykjavík ... |
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